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Sidestreet Reny - Original Urban Avant Roots 'n' Blues
Profile Information
- About Me:
- Reny (J. Renard Collette) on vocals, National steel resonator, bluesharp, keys, production and songs
Lil' Bell (Maribel Landaetta) on drums, washboard and vocals
Reny and Bell (together for 14 years) blend bluesy/funky finger-style and slide on National Resonator guitar, original poignant songwriting and solid straight forward grooves. Drawing mostly from pre-war blues, roots and folk music with a little old school rap, calypso and dancehall reggae, SSR manage to forge their own sound and push musical boundaries in an era when many other musicians strive to sound the same.
The result of their efforts is a seemingly organic blend of the elements, sewing 100 plus years of American music into a rich tapestry of eclectic yet somehow familiar sounds all their own... Like everything, and nothing you've ever heard, all at once.
In the last 20 plus years of Reny's career, he has recorded everything from folk rock to hip hop, reggae, and of course the blues. The SSR sound is one that Reny has spent the last 12 years cultivating; producing a gumbo of originality, where Delta Blues simmers with urban and carribean accents, completing this rootsy stew with wordy lyrics that showcase his unique "side street" perspective. Always weary of the traditions he represents, SSR navigates the modern musical landscape with a deep love for all that has come before, while still staying creative and vital, and constantly striving to make proud those who created that very framework on which his music is built.
From sneaking into punk shows at the age of 12 to chasing the Grateful Dead at 14 and living on his own in Europe at 16 (as a sponsored skater/rapper), Reny has lead the kind of life that deserves to be written about... and that he does, with an honest poetic voice and passionate conviction. From songs about love and hate to art and social commentary to free-form rap lyrics ranging from boastful to political, Sidestreet Reny is truly a troubadour without confines.
Over the years Reny has traveled extensively and shared the stage with such acts as A Tribe Called Quest, Gang Starr, Xanax 25, Bass and Trouble, Culver City Dub Collective, Paula Fuga and Ice Cube (to name a few) and played at festivals and clubs throughout Scandinavia, Germany, and the U.S. Reny (aka J-sun or Jason Fine) has been featured on various international remixes and albums/singles including Brian McKnight - I Can't Go For That, Vanessa Williams - The Comfort Zone remixes, Inner Circle - Bad Boys remix and a string of European releases. Reny has also accumulated an impressive back catalog of songs and recordings including 5 commercially unreleased cd's (gigs and shows only).
SSR has recieved rave reviews from Blues Matters Magazine, popular Myspace and Youtube pages and are already getting radio airplay in select markests (WKUD FM Philly, INDIE 104 L.A, UNG 106.9 FM Norway, Mojo Blues 94.1 FM Macedonia). SSR is currently up for placemnt in tv and film and have been added to several publishing company's catalogs. Now touring in the United States, currently in the Northwest region with upcoming Southwest tours in the works as well as the deep south. Holler!
***Sidestreet Reny is proudly endorsed by National Resophonic Guitars***
"Every track on this CD is unique and it is all self-penned with powerful, emotive and often critical lyrics. It is a total mixture of Blues infused with roots, folk, hip-hop, rap and soft rock all played with fingerstyle and slide on 1932 National Triolian, with double bass, drums, Blues-harp and washboard. It's taken a century of US musical heritage out of its boxes, redesigned into new textures and shapes... An album for us critics to rave about!" - by Carol Borrington, Blues Matters UK
"from early delta blues to early Jamaican toasting and on to urban rap and hiphop is a direct line, though not a frequently traveled one, and Sidestreet Reny illustrates the links musically as well as lyrically... wow I love this!" - Woodstock Taylor UK (Garageband.com)
"the passionate nature of the music and performance variations add to the spiritual nature of the music... a special outing for those afficianados looking for something different" - Laura Phillips (Music Connection)
"one of the most interesting things I've heard in a long time" - Don Young (National Reso-Phonic guitars)
"Sidestreet Reny's "Not Seen the Light of Day" is original, well written and creative and therefore timeless" - Todd Herfindal (Peer Music)
Sidestreet Reny's "Not Seen the Light of Day" is brilliantly arranged and played, beautifully sung...there is a mind at work here that is not of this world...someone who has the music inside and is defined by it. - Susan Scott (CdBaby.com)
"Great original twist on classic blues! Distinctive, bouncy bluesy fun from the start. Nice raw blues voice. This coulda been recorded in, the 30s or 40s. Echoes of lots of blues greats, but it's no slavish homage or copycat, has it's own feel and very nice modern touches..." - James W. Harris (Georgia)
"Groove is in the heart! If you don't tap your toes or clap your hands while listening to this, you don't own a soul. Period. This has groove a mile wide, and does so with bare minimal instrumentation.Which leaves a ton of room for the sublime vocal work. The harmonies are exquisite and indeed hook the listener into the groove..." - RandomAlias (Quebec CA)
Instrumentation:
SSR TRIO
Sidestreet Reny: vocals, fingerstyle 'n slide guitar (National resonator, great grandpapas parlor), bluesharp (harmonica), production and songs
Lil'Bell: drums and vocals (those sweet ass harmonies), percussions or washboard
Bako Billy: upright bass
SSR DUO
Sidestreet Reny and Lil'Bell acoustic duo: vocals, National resonator guitars and acoustic guitar (slide/fingerstyle), foot, bluesharp (harmonica) and brushes or washboard.
SSR SOLO
Sidestreet Reny: vocals, National Resonator guitars and acoustic guitar (slide/fingerstyle), foot/stompbox, bluesharp (harmonica), stories
Discography
Medicine Show (duo), self prod., 98' the Road Less Travelled (duo), self prod., 00' Breakbeat Blues (production), self prod., 03' Roots Reality (duo), self prod., 04' Tonal Tonics and Musical Elixers (trio), self prod., 05' Not Seen the Light of Day (trio), self prod., 08' the Complete SSR & LB, self prod., - out summer 08'
- Favorite Artists and Bands
- JIM JARMUSCH, JACK KEROUAC, BO CARTER (ARMENTER CHATMON), Sam Chatmon, Mississippi Sheiks, Chet Baker, BOB MARLEY, Son House, Charlie Patton, Bob Dylan, CARLOS CASTENEDA, Don Juan Matus, Frida Kahlo, Diego Rivera, TOM WAITS, Picasso, Morrison, MONET, Janis Joplin, Salvador Dali, Grateful Dead, Cory Harris, Pato Banton, Black Uhuru, Lone Ranger, Yellowman, Studio One, Curtis Mayfield, Johnny Guitar Watson, B.B., BLONDIE, Sabbath, Zeppelin, Blue Cheer, Love, JONI MITCHELL, Doc Watson, Joan Armatrading, Bowie, Velvet Underground, Warhol, ALVIN YOUNGBLOOD HART, Louie, Ella, Lawrence Ferlinghetti, Neal Cassidy, Bukowski, Allen Ginsberg, a Tribe Called Quest, JUNGLE BROTHERS, De La Soul, Gang Starr, Brand Nubians, Basehead, the Roots, BUKKA, ROBERT JOHNSON, Fred McDowell, PAUL SIMON, the Stooges, Iggy Pop, Per Ubu, Skip James, Ken Kesey, Chris Whitley, BLIND BOY FULLER, Blind Willie McTell, Barrington Levy, Minor Threat, Meat Puppets, Israel Vibration, Toots And The Maytals, KRS one, Sly & Robbie, Dennis Brown, Culture, U-Roy, Augustus Pablo, Peter Tosh, Viceroy's, Roots Radics, Blind Lemon Jefferson, Blind Blake, Rory Block, ALLISON KRAUS, Blind Willie Johnson, Mark Ryden, R. Crumb, Captain Beefheart, Memphis Minnie, William S. Burroughs, Beck, RL Burnside, Portishead, Fiona Apple, Muddy Waters, Sonny & Brownie, SQUEEZE, the Jam, DK, Black Flag, Germs, Adolescents, G.B.H., TAJ MAHAL, Plato, Da Vinci, Walt Whitman, Miles Davis, Chet Baker, Charlie Parker, Thelonious Monk, Aretha, Marvin Gaye, Otis Redding, Sam Cooke, Danger Doom, Seasick Steve, Black Keys, G Love, T model Ford, Doug Macleod
....For now.
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10.21.08 - THE NW STILL RULES, ROSLYN, PAPAS
10.21.08 - THE NW STILL RULES, ROSLYN, PAPAS
Well we went up to Roslyn and Seattle again, and it was beautiful up there. The gig at the Brick in Roslyn was so friggin cool, folks dancin, drinkin, hootin and hollerin and the vibes were so awesome. Mariah, Bruce and Sherry came up again (like 4 hrs away) and all the usual locals showed up like my man McGuff (with stories and pearls of wisdom) and thanx Ryan, Shannon, Steph, Babbs, Sara, Adam, Nicole, Chris, Roy, the bartender who made the Bloody… Continue
Well we went up to Roslyn and Seattle again, and it was beautiful up there. The gig at the Brick in Roslyn was so friggin cool, folks dancin, drinkin, hootin and hollerin and the vibes were so awesome. Mariah, Bruce and Sherry came up again (like 4 hrs away) and all the usual locals showed up like my man McGuff (with stories and pearls of wisdom) and thanx Ryan, Shannon, Steph, Babbs, Sara, Adam, Nicole, Chris, Roy, the bartender who made the Bloody… Continue
Posted on September 24, 2008 at 9:25pm —
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Reggae , I had a p.a . system company called " Zulu Hire "
in the mid 70's and we worked with a lot of the artists visiting
Europe at the time and of course the U.K. ones .
One Love, one drop and blues on.
Ken Pustelnik